Wiek: 41 Dołączył: 23 Lis 2008 Posty: 724 Skąd: Green Island
Wysłany: 2009-02-05, 13:33 Barem
Mauricio Barembuem (aka Barem)
Ma 24 lata urodzil sie w Argentynie w Buenos Aires.
Mimo młodego wieku jest jedną z większych gwiazd scen minimal techno na świecie. Groove w jego produkcjach połączony z hipnotyczną linią basową i rytmicznymi tikitakami sprawiają, że nie da się usiedzieć w miejscu!
Słysząc jego live acty, mozna tylko tańczyc i krzyczeć, na maxa się bawić. Harmoniczne połączenie latynoskich niuansów, argentyńskiej wrażliwości i syntetycznych sampli glęboko dotyka każdego, kto spotyka się z jego muzyką.
Przyjęty do rodziny Minus w 2006 roku odbył intensywne tournee po Europie i obu Amerykach, a efektem tego bylo miejsce w czołówce "najlepszych wschodzących gwiazd" - rankingu prestiżowego Groove Magazine.
Od tego czasu każda wydana przez Barema EPka spotyka sie z entuzjastycznym przyjęciem, a każdy Live Act porywa masę ludzi w energetyczną podróż w 80 światów dookoła nocy.
Powiem tyle slyszalem na live gral z Magda i niezle wymiata ten Baremik polecam
Ostatni bardziej sie zaglebiam w jego nuciwach.
A tu troche w angielskim...
Mauricio Barembuem (aka Barem) perfectly personifies the new breed of electronic musician who has grown up in the digital age, using intuitive software programs like Reason and Ableton to spontaneously express ideas and emotions. Online distribution has also made it possible for them to reach out and connect with audiences across the globe, no matter where they are - Buenos Aires for example, where Barem grew up amid the hustle and bustle of a city on the edge.
His teenage years were spent playing blues and rock guitar in bands but this always meant compromise and he needed something more than that – something that would allow a purer form of self expression. At the time it was hard to hear good dance music in Argentina apart from one or two tracks that crossed over into the commercial clubs he sometimes visited with friends but that was enough to whet s appetite and he immediately got wrapped up in the beats, connecting with the music on a deeper level. He started exploring the electronic medium and became fascinated by how some DJs could apply their own peronal vision to the music, elevating it to an art form. This was exactly the inspiration he needed and he was soon experimenting with loops on s laptop, and buying records (7th City, Plus8, Perlon, Spectral and of course Minus) to dj with. However, deciding to become a techno producer/DJ in Buenos Aires was easier said than done. The equipment was very expensive and gigs were few and far between. It was very frustrating and he was close to quitting a few times but he found the right people at the right time and the solid advice they gave kept m motivated and focussed on s goal.
It was to be a defining moment and from that point on s induction into the scene was fast and frenetic. He released the Kleine EP on the free net label Unfoundsound in July 2005 not really knowing what to expect but something clicked, with the track Suki in particular (rereleased on vinyl by Phonocult two years later) grabbing the attention of many well known DJs. He soon made the step up to Foundsound (Unfoundsound's parent label) and released s first vinyl EP Campo Madness in May 2006 consolidating s position as a fresh, emerging talent.
His relationship with Minus began in November 2005 when he met Richie Hawtin in Buenos Aires who also showed a lot of interest in s work and encouraged m to submit some demos, one of which – Opal – appeared on the Min2Max LP to more critical acclaim. Needless to say, that was followed by a period of non-stop touring in the US and Europe as word got around and demand for s live performance grew. Then at the end of 2007, the release of s superb debut EP for Minus - Never Better Than Late – really cemented s strong personal and artistic connection with the label, representing another major achievement in s short but intense journey so far. Listening to the Minus EP, it’s clear he concentrates most energy into creating the powerful basslines that define s sound. His expansive use of reverb and delay on tracks like Then They… and So Serial creates a massive space for the subtle percussive elements to skip and snake while distant, sometimes eerie melodies often occur on a random, secondary level as a result of these interacting elements. For Barem, the bottom line is to keep things simple and stay true to the old school minimalist approach that first got m hooked.
DISCOGRAPHY (Last Update: March 2008)
Releases:
• never better than late (12'') - m-nus
• campo madness ep (12") - foundsound
• nylon ep (12") - pariter
• suki ep (12") - phonocult
• kleine (mp3) - unfoundsound
• kleine vol. 2 (mp3) - unfoundsound
Remixes on:
• agnes - dumbles debuts remixed 2 (12'') - resopal red
• someone else - play it kershaw (12'') - foundsound
• j. katsav - sick (12'')
• omar salgado - noche pink (mp3) - dual musik
• sierra sam - taxidermist (12'') - nomor
• luka & lazo - dust #4 (12") - mo's ferry prod.
• pan pot - lanzelot vs camelot (12") - einmaleins
• diss0nance - wmd (12") - phonocult
• diss0nance - wooly rustle ep (mp3) - unfoundsound
• dilo + zensible beats crew - oslo (mp3) - sinergy networks
• robin porter & mike carr - fathernature (2006 remixes) (12") - immigrant
• tammy - more love (cd) - my melodies
• damián schwartz - cosas que se caen (remixes) (12") - mupa
• nicholas sauser & ditch - vizard ep (12") - goosehound
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s appetite and he immediately got wrapped up in the beats, connecting with the music on a deeper level. He started exploring the electronic medium and became fascinated by how some DJs could apply their own peronal vision to the music, elevating it to an art form. This was exactly the inspiration he needed and he was soon experimenting with loops on 
